O Goncho
Also called White Dragon of Ukisima, O-gon-cho.
O Goncho is the white dragon of a Japanese pond that rises once in fifty years as a golden bird, its cry heard as a warning of famine and disease to come.
- Tradition
- Japanese folklore
- Region
- Japan (place of origin)
- Family
- The Death-Criers · a group of figures with traits in common
- Named in
- Encyclopedia of Beasts and Monsters in Myth, Legend and Folklore, Theresa BaneMythical Monsters, Charles GouldMyths and Legends of Japan, F. Hadland Davis Reference works whose entries name this figure. Their text is not reproduced here.
Traits
Read from the figure's description, which a model wrote. The sentence under each trait is the one it was read from. How this was made.
Motifs
Its appearance is understood to precede famine, disease and other general calamity, which places the creature among the many portent beings whose significance lies in timing rather than in any action they take.
O Goncho is a dragon associated with a pond in Japanese tradition, white in its serpent form and dwelling in the water.
Powers
At intervals given as fifty years it rises transformed into a golden bird, and the sound it makes on those occasions is described as resembling the howl of a wolf — an unusual comparison for a bird, and the detail that most fixes the account. The cry is an omen.
Description machine-written; the trait sentences above were read from it
O Goncho is a dragon associated with a pond in Japanese tradition, white in its serpent form and dwelling in the water. At intervals given as fifty years it rises transformed into a golden bird, and the sound it makes on those occasions is described as resembling the howl of a wolf — an unusual comparison for a bird, and the detail that most fixes the account.
The cry is an omen. Its appearance is understood to precede famine, disease and other general calamity, which places the creature among the many portent beings whose significance lies in timing rather than in any action they take. Notably the dragon does not cause the disaster in the accounts; it announces it, and the fifty-year interval gives the tradition a rhythm against which appearances could be remembered and counted.
The material recorded in Western reference works is brief and derives from a small number of retellings, so the surrounding tradition — which temple, which recorded appearances, how the interval was reckoned — is thinner in those sources than it may be in Japanese ones. What is consistent is the shape: a water-dwelling dragon, a transformation into a bird of a different colour, a long interval, and a sound that people knew how to read.
The paragraphs below are extrapolated; no source supports them.
Read as a personality, O Goncho comes across as remote to the point of indifference — a being whose relation to the people who fear it is entirely one-directional. The fifty-year interval suggests something for which human affairs happen at a scale barely worth attending to, and the transformation reads as a change of state rather than a decision. If there is intent behind the cry it is not warning in any caring sense; the tradition has people reading a sign, not receiving a message.
Personality profile 14 axes, scored by two models against a written rubric
Does not apply: Cognition, Emotional Processing, Perception, Creativity, Volition, Structure Preference, Synthesis, Power Dynamics, Ethical Framework, Risk Attitude, Technology Orientation, Information Processing, Growth Mindset, Curiosity, Ambition.